Merry Christmas DICK & GEORGE!
Ho Ho
Michael Moore has a brilliant section on the main page of his website today which highlights 237 misleading things said by
jorge, Dickhead, Donny, Colin and Condi, the 5 merry pranksters of political FAILURE.
It's from "Iraq on the Record", and it's a damn good read.
Anyone supporting the war now is a sorry-ass bitch.
Bush and Cheney pout about "cutting and running", but the truth is (as Donahue said) we're cutting and running ANYWAY.
The States cut and ran from Vietnam out of sheer embarassment.
This war is far beyond mere embarassment.
www.michaelmoore.com
It's horrifyingly shameful.
That crack in the wall is gettin' bigger...
Check out Mike's site today:
The White House released a statement about the man who called down Cheney and invoked the power of Michael Moore.
Mike responded.
Genius.
Absolutely genius.
Michael Moore has no fear.
You sad, pathetic Reich-Wing puppets.
The Kingdom is gonna fall hard, and it will be more beautiful than a sunset with your lover and a pipe full of kif.
Kill Whitey.
The Bush Years are coming to a sharp halt.
Take another look at Jarhead, Johann
Quote:
Johann, you recently wrote:
Sam Mendes is a great filmmaker, but I have to say that Jarhead has stripped all respect I had for him.
Why did you make this Sam?
Is this as topical as you can be?
If you had set it in today's Iraq with your sights aimed directly at Rumsfeld and Cheney, with soldiers not knowing what the fuck they're doing, you might have made a compelling movie.
There are elements in your film that resonate with me cinematically, but you've failed, Mr. M.
I agree that the Kubrick-derivative parts are pretty poor stuff, but I believe that the last part of the movie has something unique and fresh to say to us. Please take a look at my thread on the movie and say what you have to say there, okay? I put some thought into that and I'd like some feedback.
I don't think it's very often possible to make a fictional statement on film about the political events of the past three years that is going to have any artistic merit. You've got to have a little perspective and that's why it makes sense to make a movie about Gulf War I. As I say, though, David O. Russell's is a better and smarter movie. But it doesn't say what Mendes's does about that kind of warfare. Bellocchio just recently made a terrific movie about the Aldo Moro kidnapping, from the Seventies. Why? It was too close and too sensitive for Italians to make a dramatic movie from inside the events, from inside the kidnappers' apartment, till the past few years.
Here's my thread on Jarhead. The last part is the most important part, if you're in a hurry:
http://www.filmwurld.com/forums/show...&threadid=1565