Walk the Line (2005) - James Mangold
Well another biopic is upon us. Last year we had Ray Charles and Jamie Foxx, this year it's Johnny Cash and Joaquin Phoenix. Both are well known musical legends, both started around the same time, both had problems with drugs, both eventually recorded country music, and both eventually cleaned themselves up. Walk the Line is Cash's life from the death of his older brother to his 1968 proposal to June Carter, the love of his life, played here by Reese Witherspoon.
Well until Capote I never really realized that a biopic is a genre. Much like musicals or westerns would have dominated previous years, lately it seems like no Oscar season is complete without a few of these films up for contention. Joaquin is certainly going to be a contender for best actor, people love an actor who can play a singer and do his own singing, although who can't sing like Johnny Cash? The real shining star of the film though is Witherspoon, who has arguably never been better, although Election is a possible exception, despite being very far from it. She too does her own singing, and June Carter had a slightly better voice than Cash. You also have to look at the fact that Joaquin is a farely well respected actor. He has proven himself very capable, and even received an Oscar nomination before (supporting for Gladiator). Witherspoon on the other hand has not had a very easy time gaining the type of recognition as an actress, somehow two Legally Blonde movies seem to put off a lot of Academy voters.
Here though she has arguably never been more beautiful (sporting a brunette mop), and certainly has never been so convincingly dramatic. Despite June Carter's reputation as a funny singer, Witherspoon doesn't play her as a comic, which could be easy because Witherspoon has certainly been funny before. She doesn't just play the supporting woman for the big man either. Her role is powerful, and since it was based off of Cash's own autobiographies, you can tell whatever he wrote about June was filled with pure love.
The dialogue in the film works wonderfully, especially between those two. Johnny doesn't always have the right things to say, and Witherspoon's dialogue isn't just believable, it is full of phrases and answers that I've heard myself. That right there are the films two strongest points. Great dialogue, and great acting.
What makes the film fall a notch is it's predictability. Capote steered clear of many biopic cliches and in the process succeeded in ways that Walk the Line doesn't. The disapproving father (Robert Patrick), the success montage, the drug addiction, the hard life on the road, it's all formulaic. It's as if someone was saying "A movie about Johnny Cash would be perfect", just like any movie about any early rock and roll legend would be. Substitute Cash for Elvis, Jerry Lee Lewis, Carl Perkins, or Roy Orbisson and you'd have virtually the same movie. There are big chunks of Cash's life left out, but well the movie is certainly long enough as is. The pacing is off. This is a 140 minute movie that feels like it's three hours, it drags. The best of these films should fly by, but I never get a feeling like I'm finding anything new here, either about Cash, who's life was a cliche, or about the genre.
Just to be on the up and up, it would be advisable to see the film. Lots of people were in attendance, even though Harry Potter was playing in the next theater, and lots of people are going to be talking about it. I hope that the most attention goes to Reese Witherspoon, but most likely we'll hear about the work of Phoenix here.
Grade B -
Choppy and Uneven but Powerful
After being forced to go see this movie, I believe that wpqx has it pretty well sized up. There were some good scenes, great singing and entertaining, but I've seen most of this stuff before and thus the presentation was the key. Yet the movie failed to live up to its potential, Reese Witherspoon notwithstanding. She could have been even better, possible great, if she had the larger role and script to go with it. I won't go into detail, but the movie was good, but not great. It had poor editing and uneven pacing especially in the first half, until the spotty scenes begin to flow better together and the actors begin to relate more on screen.
Even then, the movie just seemed to leave out the intimate, connection...the real story of Johnny Cash...it seemed sanitized a bit (which is understandable). I was hoping perhaps for a Passion of the Christ approach.
a shitkickin' slice of Americana
Wow.
Why did I wait so long to see this?
I had 3 Faxe beers and took hits from the bong before heading over to a nearly empty theatre on Granville.
The ads before the show were vomit-inducing.
That new Anniston-Vaughn film (comedy?) is the absolute NADIR of cinema today. I wanted to puke, and it wasn't because of the beer. Man, does that show look sucktastic..
I was debating seeing Kong again but I opted to see something I hadn't yet.
Walk the Line has some incredible scenes.
You can almost smell the bryl-creem and whiskey breath.
What I liked the most is that I felt as if I was actually seeing the history of June & Johnny.
This film is as much about the man in black as it is about his wife. They were two of a kind, two legends who gave each other support and hell.
(Johnny giving more hell than she)
Reese Witherspoon was a joy to watch.
Her singing and acting is damn fine.
Wildwood Flower?
She could cut a country record tomorrow and it would sell. no shit. Baby Baby Baby
My favorite scene in the whole movie is the one in the recording studio with the producer who tells Johnny and his band that he doesn't make records that don't sell.
Johnny proceeds to lay down an impromptu demo of Folsom Prison.
That's the stuff great movies are made..
Just about all of the live performances are top-notch. After all it's the music of Johnny Cash that is so important. The Folsom prison scene where he smashes a glass of the house water was the kind of scene I was hoping for from a Johnny cash biopic. I think he would love it if were still around to see it.
Joaquin Phoenix IS Johnny Cash. Sure, he doesn't look EXACTLY like him, but who gives a fuck? He nailed the spirit of the man. He got all the grace notes down pat: how he slung his guitar, how he sung into a mic, how he talked- Joaquin must have studied Mr. Cash's mannerisms- that stuff isn't just "acted"- you gotta know what the fuck you're doing, especially when you're playing a legend such as Cash. And not just because of the fans who will get on your case- this is your career too.
God bless ya Joaquin: you made me a believer.
The cars are all vintage, the clothes are all vintage, the musical instruments and stage set-ups are all vintage. VINTAGE MOVIE, folks!
James Mangold has struck gold, and that's hard to do with biopics- so many ways to fuck it up.
The whole movie is one big grace note.
Loved it.
I'm still thinking about it, and that's what the best movies do: leave you with crater-like impressions.