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THE GRAND BUDAPEST HOTEL (Wes Anderson 2014). A new Wes Anderson film would deserve a full review. And I hope to give it one. This stylized saga of a "Mitteleuropa" haute bourgeoisie luxury hotel and its lobbyboy and concierge/manager over lifetimes spanning the Thirties to the Eighties is replete with famous actors and elaborate mise-en-scène. But it winds up being relatively uninvolving, especially coming after the lovely and sweet childhood romance of MOONRISE KINGDOM. One of the troubles is Anderson doesn't quite seem to "get" this kind of European snobbism and sophistication; and his heedless use of a mishmash of mostly American actors with totally un-grand-hotel voices and accents can't work well. Ralph Fiennes is fine as the hotel manager in its heyday, and as his lobbyboy Zero Tony Revolori is small and cute -- but there's that American accent again, totally out of place. Tone deaf. But not many care (Metacritic rating: 86.) Opened in NYC Fri. 7 Mar. 2014. At Regal Union Square.