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GUSTAVO SALMERÓN: LOTS OF KIDS, A MONKEY AND A CASTLE/MUCHOS HIJOS, UN MONO Y
UN CASTILLO (2017)

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JULETA SALMERÓN IN LOTS OF KIDS, A MONKEY AND A...

ERIKA COHN: THE JUDGE (2017)

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KHOLOUD AL-FAKIH IN THE JUDGE

A female voice in female matters

This brief documentary tells the story of the first...

ELIZAVETA STISHOVA: SULEIMAN MOUNTAIN/SULEIMAN TOO (2017)

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PERIZAT ERMANBETOVA IN SULEIMAN MOUNTAIN

About a boy - or two

A rare film made by an...

ALYSSA FEDELE, ZACHARY FINK: THE RESCUE LIST (2017)

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Slavery still exists

Slavery is alive and well and practiced in various forms and venues. ...

ARUN BHATTARAI, DOROTTYA ZURBÓ: THE NEXT GUARDIAN (2017)

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GEMTO AND TASHI SHARE A LAUGH IN THE NEXT GUARDIAN

Family misfits at a Buddhist monastery in...

RATI ONELI: CITY OF THE SUN/ბერლინი) (2017) მზის ქალაქი

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A fading mining town in Georgia poetically examined

Oneli lived in New York for years, then...

PATRICK IMBERT, BENJAMIN RENNER: THE BIG BAD FOX & OTHER TALES/LE GRAND RENARD MÉCHANT & AUTRES CONTES (2017)

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[CAPSULE REVIEW]

Whoever thinks that...

JENNY SUEN, CHRISTOPHER DOYLE: THE WHITE GIRL (2017)

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ANNGELA YUEN IN THE WHITE GIRL

Al allergy to vigorous filmmaking?

A girl who has always...

ULISES PORRA GUARDIOLA, SILVINA SCHNICER: TIGRE (2017)

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Tropical decadence

Compared, for good reason, to Lucrecia Martel - but the Latin...

AMY ADRION: HALF THE PICTURE (2018)

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AVA DUVERNAY IN HALF THE PICTURE

Report from a sexist, misogynistic industry - that governs the culture
...

JULIE COHEN, BETSY WEST: RBG (2018)

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RUTH BADER GINSBURG IN RBG

Dynamo

[CAPSULE REVIEW]

While you're waiting to see this film you can watch...

MICHEL HAZANAVICIUS: GODARD MON AMOUR/LE REDOUTABLE (2017)

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LOUIS GARREL, STACY MARTIN IN GODARD MON AMOUR

A film not clever enough for its subject
...

BING LIU: MINDING THE GAP (2017)

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KIERE IN MINDING THE GAP

Filming best mates: skateboarding and open heart conversations

[CAPSULE REVIEW]

Three...

SASHA WATERS FREYER: GARY WINOGRAND: ALL THINGS ARE PHOTOGRAPHABLE (2018)

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GARY WINOGRAND

American eye

[CAPSULE REVIEW]

Gary Winogrand was the...

ANNEMARIE JACIR: WAJIB (2017)

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MOHAMMAD AND SALEH BAKRI IN WAJIB

Culture clash: Palestinian abroad vs. Palestinian at home

This film (whose title...

MILA TURAJLIĆ: THE OTHER SIDE OF EVERYTHING/DRUGA STRANA SVEGA (2017)

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SRBIJANKA IN THE OTHER SIDE OF EVERYTHING

Personal and political

The Serbian...

RUNGANO NYONI: I AM NOT A WITCH (2017)

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MARGARET MULUBWA IN I AM NOT A WITCH

Captive child

[CAPSULE REVIEW]

Witches attached to long white...

KATIE GALLOWAY: THE PUSHOUTS (2018)

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KIDS IN THE WATTS PROGRAM SHOWN IN THE PUSHOUTS

Giving back

Bay Area filmmaker and two-time Golden Gate Award...

HANS BLACK, MORITZ RIESEWIECK: THE CLEANERS (2018)

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Social media are evil, is the true message of this little film

This documentary is more than it...

JENS ASSUR: RAVENS/KORPARNA (2017)

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REINE BRYNOLFSSON IN RAVENS

The harsh demands of Swedish farm life

Just a typical rural Swedish farm in the...

VAHID JALILVAND: NO DATE, NO SIGNATURE (2017)

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Wrong and wronger

No Date, No Signature is an almost unremittingly grim feature, that does some of the...

SUZANNAH HERBERT: WRESTLE (2017)

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A dedicated young coach takes a failing high school to the state wrestling finals in Alabama

This crackerjack doc...

DENALI TILLER: TRE MAISON DASON (2018)

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MAISON TEIXEIRA AND HIS FATHER IN TRE MAISON DASON

Three boys with parents in jail fare differently

The film...

HIROKAZU KOREEDA: THE THIRD MURDER (2017)

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MASAHIRO FUKUYAMA, KÔJI YOKUSHO IN THE THIRD MURDER

A protracted examination of guilt and, as an...

MATTHEW TESTA: THE HUMAN ELEMENT (2018)

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"I became a photographer to be an eye witness to the beauty of nature but I quickly realized there was a more...