First of all, you're not the only champion, I'm sure, and tabuno has spoken eloquently in Sin City's favor on this thread.I seem to be the only champion of this film here....
Coming to the film as I do, with a life of comics reading and about 15 years of solid cinema knowledge/appreciation, I see the passion and craftsmanship in digital moviemaking and I am incredibly impressed.
I can't fathom how anyone- whether they like the film or not- cannot see/feel the kinetic triple-joint concentrated effort that was put into making it. No seems to acknowledge the accomplishment and the sheer thrill this movie provides.
Your remark about the "kinetic triple-joint concentrated effort" (I don't know exactly what that means, but I like the phrase; it's worthy of your own genius and eloquence) reminds me of a story about the English man of letters, Samuel Johnson. He was at his friend Mrs. Thrale's where a chamber concert involving a violin was in progress and making a wry face that clearly showed his displeasure. "But Dr. Johnson, Sir," Mrs. Thrale said, "do you not realize this piece is very difficult?"
"Difficult, Madam?" Johnson replied. "I wish it were impossible!"
One can appreciate that very many unsuccessful or unadmirable efforts have behind them tremendous effort; and the technical know-how applied to a film is no guarantee of its quality. You mention Tarantino's Kill Bill. Those two films too are derivative efforts, but they are derived from a lot of sources, rather than transferred from one to another medium like Sin City, and Tarantino has added a lot of his own original touches to them, most notably his inimitable dialogue. Can you quote me any quotable quotes from Sin City?
Yeah, but I didn't find it entertaining. That's the whole trouble. It was work for me to get through it. I'm sincerely sorry. I'm not just being a bad sport; I'm being true to my gut reaction, which I always try to be.Well last time I checked this was entertainment, and people seem to have missed that.
I know, and I didn't expect it to be, and I loved the Kill Bills, and I don't think I have any particular knee-jerk negative reaction to violence. Violence, like a lot of other nasty things, works real well in the movies, and I appreciate that.It's not a Jane Austen novel nor is it Coronation Street.
Whenever there's a transfer/adaptation it's very important to consider the result on its own, but it's extremely important from the cinephile point of view to consider the relatinoship between the original and the adaptation. Since you have "a livetime of comics reading" behind you, can you talk more about the Miller graphic novels Sin City is adapted from and the relationship between them and the movie? I always want to know: Is the adaptation as good as the original? Better? The same? But it must be different. How's it different? How have the filmmakers made creative choices in making the transfer? Where may they have fallen down, or lost some of the qualities of the original? Where have they added marvelloous (or alternatively questionable) new elements? These are things I want to know. I tried to make some comments on that in my review, based on recently seeing the movie and perusing the books, but I'm sure you are better qualified to do it.
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