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Thread: In Deppth

  1. #1
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    In Deppth

    At the Brooklyn Academy of Music

    Jul 8—31
    At times it’s easy to believe that Johnny Depp exists simply to defy our expectations. Combining a taste for the offbeat with a stunning fearlessness, Depp has made a career out of unpredictability. This series focuses on the wide array of characters that he’s played over the years; from slasher victim to Elvis crooner, amphetamine-fueled journalist to wide-eyed movie director, they’re all part of what we love about Johnny Depp.

    A Nightmare on Elm Street (1984) 91min
    Fri, Jul 8 at 6:50, 9:15pm
    Directed by Wes Craven
    With Heather Langenkamp, Amanda Wyss, Johnny Depp
    The first, and still best, Freddy Krueger movie, where fresh-faced teens get killed off by a malevolent, supernatural force in their dreams. Also a witty riff on horror films (watch for Evil Dead playing on TV), it’s great fun to watch Depp in his movie debut as Glen (you know, the one who...well, you won't feel safe in your bed after watching it).

    Edward Scissorhands (1990) 105min
    Sat, Jul 9 at 2, 6:50, 9:15pm*
    *Free In Deppth series kick-off party hosted by The Onion at 8pm with complimentary cocktails. The Onion reminds you to please drink responsibly.
    Directed by Tim Burton
    With Johnny Depp, Winona Ryder, Vincent Price
    Rescued by Burton from 21 Jump Street (which Depp refers to as “the world of mass-product, bang-’em out TV death”), this is the role that made Depp a movie star: a genial monster built in a benevolent Frankenstein laboratory. Burton mixes candy-colored suburban satire with a celebration of humanity and childhood. The scenes between Edward and creator Vincent Price (in his last movie role) are among the best in Burton’s canon.

    Cry-Baby (1990) 85min
    Sun, Jul 10 at 2, 6:50, 9:15pm
    Directed by John Waters
    With Johnny Depp, Amy Locane, Ricki Lake
    Unfortunately overlooked in the wake of Edward Scissorhands, Cry-Baby stars Depp as Cry-Baby Walker, an Elvis/Gene Vincent rocker in 1950s Baltimore. Waters cranks up his Hairspray fantasy a notch and delivers prison musical numbers, Iggy Pop playing a character called Uncle Belvedere Rickettes, and a fascinating exploration of race and sexuality in rock music.

    Donnie Brasco (1997) 127min
    Fri, Jul 15 at 2, 4:30, 7, 9:30pm
    Directed by Mike Newell
    With Johnny Depp, Al Pacino
    As an aging two-bit hood (Pacino) accepts his small lot in a Mafia family, he finds new life in showing a newcomer (Depp) the ropes and taking the audience on a guided tour of the workings of the mob. What he doesn’t know is that the kid is an undercover agent working for the Feds. In one of Depp’s first dramatic roles in a studio film, he plays against Pacino with a beautiful sense of restraint.

    Ed Wood (1994) 127min
    Sat, Jul 16 at 2, 4:30, 7, 9:30pm
    Directed by Tim Burton
    With Johnny Depp, Martin Landau, Patricia Arquette, Bill Murray
    A funny yet deeply moving exploration of the desire to create art, even in the face of your own limitations. With the film shot in glorious black and white best seen on a big screen, Depp deftly mixes broad satire and pathos in his portrayal of Ed Wood, a Z-list film director trying to make Citizen Kane out of cardboard and Swedish wrestlers.

    Arizona Dream (1993) 143min
    Sun, Jul 17 at 3, 6, 9pm
    Directed by Emir Kusturica
    With Johnny Depp, Jerry Lewis, Faye Dunaway, Lili Taylor
    Sarajevo-born Kusturica explores the myth of America as seen through the eyes of an outsider, mixing a classic Eastern European sense of avant-garde with the epic landscape of the Southwest. Depp plays a fish-and-game warden who travels to Arizona to be best man at his uncle Jerry Lewis’ wedding, only to find himself drawn into a bizarre dreamscape that mixes psychological insight with slapstick.

    The Ninth Gate (1999) 133min
    Fri, Jul 22 at 3, 6, 9pm
    Directed by Roman Polanski
    With Johnny Depp, Lena Olin, Frank Langella
    Depp stars as a rare book dealer contracted to find a manuscript believed capable of summoning the devil. But this film is more than just Rosemary’s Baby redux, as Polanski’s ironic sense of humor creeps in, teasing the audience with sly glimpses of the supernatural, just as Depp keeps his performance just slightly off-kilter. Great, campy fun.

    Fear and Loathing in Las Vegas (1998) 118min
    Sat, Jul 23 at 2, 4:30, 6:50, 9:15pm
    Directed by Terry Gilliam
    With Johnny Depp, Benicio Del Toro
    “We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.” Depp speaks these opening lines in an amphetamine mumble, introducing the viewer to one of his best performances to date. A violent acid trip of a movie, and one of the most underrated films of the 90s.

    Sleepy Hollow (1999) 105min
    Sun, Jul 24 at 2, 4:30, 6:50, 9:15pm
    Directed by Tim Burton
    With Johnny Depp, Christina Ricci, Miranda Richardson.
    Depp plays a constable sent to investigate a series of beheadings in Sleepy Hollow. Burton’s re-imagining of Washington Irving’s story creates a wonderful American gothic atmosphere; a dull grey fog with a splash of blood. But what makes the film is Depp’s foppish performance as a man of science, shrieking and fainting his way through the investigation.

    What’s Eating Gilbert Grape (1993) 118min
    Fri, Jul 29 at 2, 4:30, 6:50, 9:15pm
    Directed by Lasse Hallström
    With Johnny Depp, Leonardo DiCaprio
    Depp plays the title character in Hallström’s sentimental tale of an eccentric family in small-town Iowa. DiCaprio’s got the showier role of the mentally retarded brother, but Depp brings a quiet dignity and defeatist body language to his role as a lost figure stuck in a dead-end town.

    Dead Man (1995) 121min
    Sat, Jul 30 at 2, 4:30, 6:50, 9:15pm
    Sun, Jul 31 at 2, 4:30, 6:50, 9:15pm
    Directed by Jim Jarmusch
    With Johnny Depp, Gary Farmer
    An epic anti-Western set in the Pacific Northwest in the 1800s. Depp is wonderful as the embodiment of “civilized” society: an accountant who runs into trouble, partnered with Gary Farmer as “Nobody,” the Native American outcast who befriends him on a surrealistic journey. Other highlights include incredible cameos by Crispin Glover, Robert Mitchum, Iggy Pop, and others, and Neil Young’s indelible electric guitar score.

  2. #2
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    A fine selection of Depp classics.

    Johnny's worked with some big directors: Wes Craven,
    Oliver Stone, Lasse Hallstrom (twice), Tim Burton (5x!), John Waters, John Badham, Roman Polanski, Terry Gilliam, The Hughes Bros, Jim Jarmusch, Julian Schnabel (twice) and Sally Potter (in a film that was master cinematographer Sacha Vierny's last).

    He's got a lotta films left in him...

    If you watch the documentary Breakfast With Hunter you'll see the inside of Johnny's home in L.A., which looks darkly opulent.
    Hunter S. Thompson stayed there when Fear and Loathing was being made and we see him playing with Johnny's exotic birds. (One escapes and Hunter sustains a nasty peck when he catches it with his bare hands).


    The reading night in L.A. with Hunter is great:
    Johnny & John Cusack arrive @ The Viper Room in a BMW with Hunter and his blow-up doll. He's already half-lit, and throws the doll in front of a moving car when he gets out of the beemer.

    That doc is chock full of great "Hunter moments". The scenes where he throws Alex Cox out of the Owl Farm for his stupid ideas on the movie is priceless.

    Hunter calls the project manager:
    You want a WAR? Well hold on Baby... You gotta war.
    "Set the controls for the heart of the Sun" - Pink Floyd

  3. #3
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    Breakfast with Hunter sounds amazing. I'll have to look for that. Too bad its not in the fest...

  4. #4
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    Location
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    Breakfast With Hunter is an astounding doc on the the "Good Doc". Try to track it down. (e-mail me if you are desperate to find it)

    There's some great footage of Hunter's campaign for Sheriff in 1970. A british company (?) did a profile of Hunter, complete with "he openly smokes grass" tones and "Battle Hymn of the Republic". Election night he's gathered around his peeps, defeated, and says (draped in a U.S. flag): "I unfortunately proved what I set out to prove: that the American Dream really is FUCKED.
    Some of his campaign staff cry.
    TIN SOLDIERS AND NIXON'S COMIN'....

    The Rum Diary will be another notch in Johnny's deluxe film belt.
    "Set the controls for the heart of the Sun" - Pink Floyd

  5. #5
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    There are certainly some great films in that list. But most of those films aren't necessarily "independent," so Depp deserves even more credit for trying "off-beat" themes while working within the overall structure.

    The Brave, which played In-Competition at Cannes in 1997 is still not available in this country in any format. It is Depp's only directorial effort so far. From what I've read, this was a very personal film so he was hurt by the non-reaction from the community here. Depp plays a downtrodden American-Indian who gets offered a part in a snuff film (perhaps that's the way his career went early on), and he has to make various decisions considering money and ethics. It's no masterpiece, but it is well-acted and shot. Brando has a small role.

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