"Paul Thomas Anderson is one of the more inspired filmmakers working today, taking giant steps beyond expectation and maneuvering his way through highly personal and universal topics. Even though his work on Boogie Nights and Magnolia recalls the films of the likes of Altman and Scorsese, it is so utterly unique and daring and sincerely realized that it demands attention, and Anderson deserves every bit of the praise lavished upon him just as much as every accusation of pretentiousness leveled against him. And this is why Punch-Drunk Love, Anderson ’s ninety-minute ode to desperate, needy love, is such a disappointment—a resoundingly unique, daring, and sincere one, but a disappointment nonetheless. Because of or despite its relatively short running time, Punch-Drunk Love is a case of a writer/director either not having enough time to develop certain aspects of his film or finding himself low on creative resources and filling in the blanks with anything. Or perhaps everything is in order, and I simply didn’t 'get it.' I admire the film on many levels, particularly one: the performance of its leading man (of all people), Adam Sandler."
Mark's Full Review
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