Here is my review
WHEN YOU’RE STRANGE
Directed by Tom DiCillo, U.S., (2010), 86 minutes
“My candle burns at both ends, it will not last the night, But ah my friends and oh my foes, it gives a lovely light” - Edna St. Vincent Millay
The poet Rumi once said, “I am so close to death, it makes me proud, cruel, and demonic” He might have been writing about singer, poet, and cultural icon Jim Morrison, lead singer of the 60s rock band The Doors. Morrison, as almost everyone on the planet must know by now, was the charismatic rock star whose enormous talent was torpedoed by an over indulgence in drugs and alcohol and who died in Paris at the age of 27. As an antidote to Oliver Stone’s overblown 1991 film The Doors, director Tom DeCillo has assembled a new documentary, When You’re Strange, featuring never-before seen footage: sequences from HWY, an unfinished underground film Morrison starred in, footage of The Doors’ appearance on the Ed Sullivan Show in 1967, a 1968 TV appearance in Copenhagen, and concert clips from the infamous Miami concert which led to Morrison’s arrest for indecent exposure.
Narrated by actor Johnny Depp, When You’re Strange follows The Doors from their formation in 1965 to Morrison’s death in 1971. The film begins when someone who resembles Jim Morrison listens on his car radio to a news story about his death in Paris. This is followed by a headache-inducing reverse montage of the Doors career complete with all the clichéd images of the 60s including shots of drugged out young people, scenes from Vietnam, and frolicking concert goers at Woodstock. Shots of the death of the two Kennedy brothers, Kent State, and the death of Martin Luther King are saved for later as if this history in any way sheds any light on the band.
DiCillo depicts how The Doors rose from a lead-in gig at the Whiskey-a-go-go on the Sunset Strip to a number one single, “Light My Fire”, an album that became Gold, and increasing fame and celebrity status. While Morrison takes up most of the film’s 86-minute length, it also assesses the contributions of drummer John Densmore, keyboardist Ray Manzarek, guitarist/songwriter Robby Krieger), and mentions The Doors’ unique sound (no bass, extra keyboards) but there is no attempt to analyze the basis of their appeal or how they fit into the Los Angeles music scene. The film goes on to dramatize how the band began a downward spiral in which fame generated an increasingly unstable Morrison who showed up drunk for recording sessions and had concerts in which people attended more for the spectacle than the music.
Though the film talks about Morrison’s father who was a Navy officer fighting the Vietnam War, no insight is offered as to what was behind his self-destructive rage. Nor is there any discussion of surviving band members about their experience of Morrison and the thoughts and ideas that informed his music and his poetry. When You’re Strange is entertaining, especially if you are a Doors fan, but it sheds little light on the enigma of Jim Morrison or the powerful appeal of the Doors’ music which still has a strong following today.
GRADE: B-
"They must find it hard, those who have taken authority as truth, rather than truth as authority" Gerald Massey
Bookmarks