3D darkens everything. If you'd watched it in 2D the lighting was not a problem. Reports on Screen Rant were that WWZ had lengthier than usual period of reshoots, possibly a rougher than usual rough cut. You should watch Primer and Upstream Color. Room 237 was a sidebar at last year's NYFF but I skipped it. Some liked, others were indifferent. For you it would probably be something to see.
I saw and reviewed Upstream Color at New Directors/New Films earlier and you'll find that in the Festival Coverage section. For me it was the most awaited event of the series, and though reactions are mixed, it's a must-see. Would see it again at IFC if I were still in NYC; might still in July if it's still showing then -- IFC has a lot of turnover but keeps some things a long time too.
Superman fans might want to peruse "KRYPTONOMICS: Why Superman’s creators got a raw deal" " a review by Deborah Friedell in The New Yorker of a new dual biography of Siegel and Shuster, the two Jewish sons of immigrants cinemabon has talked about and how they got screwed over the years because they signed off rights to the comic book hero right at the outset.
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