Page 1 of 4 123 ... LastLast
Results 1 to 15 of 46

Thread: CANNES Film Festival 2017

  1. #1
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884

    CANNES Film Festival 2017

    It's the 70th year of the Cannes Film Festival. The lineup has been announced.

    Previews:
    Hollywood Reporter
    Variety

    Pedro Almodóvar will preside over the competition jury
    Cristian Mungiu will head the student & short films jury
    Sandrine Kimberlain will head the Caméra d'Or jury.

    Last year's lineup



    Festival de Cannes 70: 17-28 May 2017

    In Competition
    In the Fade (Aus dem Nichts), Fatih Akin
    The Meyerowitz Stories (New and Selected), Noah Baumbach
    Okja 옥자, Bong Joon-ho
    120 battements par minute (120 Beats per Minute), Robin Campillo
    The Beguiled, Sofia Coppola
    Rodin, Jacques Doillon
    Happy End, Michael Haneke
    Wonderstruck, Todd Haynes
    Redoubtable (Le Redoutable), Michel Hazanavicius
    The Day After 그 후 Geu-hu, Hong Sang-soo
    Radiance 光 Hikari, Naomi Kawase
    The Killing of a Sacred Deer, Yorgos Lanthimos
    A Gentle Creature, Sergei Loznitsa
    Jupiter's Moon (Jupiter holdja), Kornél Mundruczó
    The Square, Ruben Östlund
    L'amant double (Amant Double), François Ozon
    You Were Never Really Here, Lynne Ramsay
    Good Time, Joshua and Ben Safdie
    Loveless (Нелюбовь), Andrey Zvyagintsev

    Out-of-Competition
    Les Fantômes d'Ismaël (Ismaël's Ghosts), Arnaud Desplechin (Opening Night)
    How to Talk to Girls at Parties, John Cameron Mitchell
    Visages, Villages, Agnes Varda & JR
    Mugen Non Junin (Blade of the Immortal), Takashi Miike

    Un Certain Regard
    Barbara, Mathieu Amalric
    La Novia Del Desierto (The Desert Bride) by Cecilia Atan &Valeria Pivato
    Tesnota (Closeness) by Kantemir Balagov
    Aala Kaf Ifrit (Beauty and The Dogs), Kaouther Ben Hania
    L’Atelier (The Workshop), Laurent Cantet
    Fortunata (Lucky), Sergio Castellito
    Las Hijas de Abril (April's Daughters), Michel Franco
    Western, Valeska Grisebach
    Posoki (Directions), Stephan Komandarev
    Out, Gyorgy Kristof
    Sanpo Suru Shinryakusha (Before We Vanish), Kiyoshi Kurosawa
    En Attendant Les Hirondelles (The Nature of Time), Karim Moussaoui
    Lerd (Dregs), Mohammad Rasoulof
    Jeune Femme (Montparnasse Bienvenue), Leonor Serrraille
    Wind River, Taylor Sheridan
    Après La Guerre (After the War), Annarita Zambrano

    Special Screenings
    Claire’s Camera, Hong Sang-soo
    12 Jours, Raymond Depardon
    They, Anahita Ghazvinizadeh
    Promised Land, Eugene Jarecki
    Napalm, Claude Lanzmann
    Demons in Paradise, Jude Ratman
    Sea Sorrow, Vanessa Redgrave
    An Inconvenient Sequel, Bonni Cohen, Jon Shenk

    Midnight Screenings
    The Villainess, Jung Byung-Gil
    The Merciless, Byun Sung-Hyun
    Prayer Before Dawn, Jean-Stephane Sauvaire

    Virtual Reality Film
    Carne y Arena, Alejandro G. Iñárritu

    70th Anniversary Events
    Top of the Lake: China Girl, Jane Campion & Ariel Kleiman
    24 Frames, Abbas Kiarostami
    Twin Peaks, David Lynch
    Come Swim, Kristen Stewart

    Directors Fortnight / La Quinzaine des Réalisateurs

    Feature Films
    Ciambra, Jonas Carpignano
    A Fabrica de nada;, Pedro Pinho
    Alive in France, Abel Ferrara
    L'Amant d'un jour (Lover for a Day), Philippe Garrel
    Bushwick, Cary Murnion, Jonathan Milott
    Cuori puri (Pure Hearts), Roberto De Paolis
    The Florida Project, Sean Baker
    Frost, Sharunas Bartas
    I Am Not a Witch, Rungano Nyoni
    Jeannette l'enfance de Jeanne d'Arc, Bruno Dumont
    L'Intrusa, Leonardo Di Costanzo
    La defensa del dragón, Natalia Santa
    Marlina si pembunuh dalam dempat babak, Mouly Surya
    Mobile Homes, Vladimir de Fontenay
    Nothingwood, Sonia Kronlund
    Ôtez-moi d'un doute,Carine Tardieu
    Patti Cake$, Geremy Jasper
    The Rider, Chloé Zhao
    Un beau soleil intérieur (Let the Sunshine In), Claire Denis
    West of the Jordan River (Field Day Revisited), Amos Gitai

    Short Films
    Água mole, Laura Goncalves, Alexandra Ramires (xà)
    La bouche, Camilo Restrepo
    Copa loca, Christos Massalas
    Crème de menthe, Philippe David Gagné, Jean-Marc E. Roy
    Falpões, Baldios, Marta Mateus
    Min börda, Niki Lindroth von Bahr
    Nada, Gabriel Martins
    Retour à Genoa City, Benoit Grimalt
    Tijuana Tales, Jean-Charles Hue
    Trešnje, Dubravka Turić

    ________________
    Last edited by Chris Knipp; 06-04-2017 at 12:33 PM.

  2. #2
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    Cannes 2017 poster features Claudia Cardinale.
    There have been complaints that it's too much airbrushed to thin her down.




    Le Monde offers a slide tool to view the before and after versions of this photo of Claudia swirling her skirt on a Rome roof
    Last edited by Chris Knipp; 04-13-2017 at 12:07 PM.

  3. #3
    Join Date
    Sep 2002
    Location
    Ottawa Canada
    Posts
    5,656
    Cannes is always important. Thanks for posting about it every year.
    "Set the controls for the heart of the Sun" - Pink Floyd

  4. #4
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    Hollywood Reporter intro piece on Cannes 2017 (year 70)
    Cannes Competition Lineup Includes Sofia Coppola's 'The Beguiled,' Todd Haynes' 'Wonderstruck'

    No Hollywood studio films are scheduled so far for the world's most prestigious film festival, which organizers say will feature 12 female directors this year, up from nine last year.
    Cannes Film Festival director Thierry Fremaux and president Pierre Lescure on Thursday unveiled the lineup for the iconic Côte d'Azur event's 70th anniversary edition, to be held May 17-28.

    Bringing some Hollywood presence to the Croisette this year will be Todd Haynes' period drama Wonderstruck, starring Julianne Moore and Michelle Williams, and Sofia Coppola's The Beguiled, with Colin Farrell, Nicole Kidman, Kirsten Dunst and Elle Fanning. Cannes veterans Michael Haneke, who won the Palme d'Or twice before, and Michel Hazanavicius also are returning with Happy End and Le Redoutable, respectively.

    Fremaux and Lescure took to the stage just after 11 a.m. local time, kicking off the traditional lineup press conference at Paris' UGC Cinema on the French capital's Champs Elysees.

    Lescure opened the press event by mentioning the upcoming French election and U.S. President Donald Trump. "We are in a suspenseful moment for the world," he said, adding, "Since we have a new surprise every day from Donald Trump, I hope North Korea, Syria will not cast a shadow" over Cannes.

    'Okja'

    Cannes Competition Lineup: The 19 Films Battling for the Palme d'Or
    The festival will include 19 competition titles, four out-of-competition titles, three midnight screenings, one special screening and nine first films from 1,930 submitted movies. Fremaux said 12 female directors will be featured in the official selection, up from nine last year.

    Benny and Josh Safdie's Good Time, a crime drama starring Robert Pattinson, and Lynne Ramsay's You Were Never Really Here, toplined by Joaquin Phoenix, will be among the titles bringing extra star power to the Cannes red carpet.

    And speaking of star power, Nicole Kidman will feature in four competition and other section entries, having the biggest presence of all the bold names at the fest next month.

    The first competition title unveiled was Andrei Zvyagintsev's new film Loveless. After his success with Leviathan, the Russian culture ministry had said Zvyagintsev would get no more state money for his productions, so the film was made without official Russian support and instead put together as a co-production with Germany, France and Belgium, with Eurimages support. Fremaux spoke about a revival of Russian filmmaking in discussing the lineup.

    Also in the Cannes lineup is Al Gore's An Inconvenient Sequel: Truth to Power, which follows Gore as he travels the world raising awareness of climate change and trying to push people and governments to embrace renewable energy. Additional political edge comes from a Vanessa Redgrave documentary about refugees called Sea Sorrow.

    Adding high-profile TV projects for the first time, Cannes will also screen two episodes of David Lynch's Twin Peaks revival for Showtime and show Jane Campion's Top of the Lake 2 as special events.

    As previously announced, Spanish director Pedro Almodovar will oversee the main competition jury that will award the Palme d'Or and other top prizes.

    Palme d'Or winner Cristian Mungiu will head up the student and short films jury, and Cesar-winning French actress Sandrine Kiberlain will head the Camera d'Or jury, which selects the best first film from across all sections and sidebars.

    Isabelle Huppert in the Women in Motion poster

    Cannes: Isabelle Huppert to Serve as Face of Women in Motion
    Among Thursday's first announcements was that a short virtual reality project from Alejandro G. Inarritu will be part of the festival, as will Kristen Stewart's short film Come Swim.

    Inarritu's VR short was produced and financed by Legendary Entertainment and Fondazione Prada, while ILMxLAB, Lucasfilm’s recently established immersive entertainment division, built the virtual world and characters. It explores the experience of a group of immigrants as they cross over the border between Mexico and the U.S. Inarritu, who spent four years developing the project, partnered with his frequent collaborator and cinematographer Emmanuel Lubezki on it.

    The poster for this year's festival, which shows an exuberant Claudia Cardinale dancing, has been a source of controversy, with fans expressing outrage that the actress appeared to be slimmed down and retouched.
    Last edited by Chris Knipp; 05-06-2017 at 01:20 PM.

  5. #5
    Join Date
    Sep 2002
    Location
    Ottawa Canada
    Posts
    5,656
    Great stuff. Love the poster.
    "Set the controls for the heart of the Sun" - Pink Floyd

  6. #6
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    The "film d'ouverture" - opening night film - has been announced: Arnaud Deplechin's Ismaël's Ghosts/Les fantômes d'Ismaël.



    Mathieu Amalric plays Ismaël Vuillard, a filmmaker whose wife, Carlotta (Marion Cotillard), who disappeared 21 years ago, reappears to his new girlfriend, Sylvia (Charlotte Gainsbourg), as he is embarking on a new movie, disrupting his world and his work plans. No English subtitles for the trailer yet but with that info even if your French is rusty you can probably get the gist (if teasers appeal to you). The cast includes Mathieu Amalric, Marion Cotillard, Charlotte Gainsbourg, Louis Garrel, Alba Rohrwacher, Hippolyte Girardot, and Samir Guesmi. 17 May at Cannes, simultaneously opening in Paris theaters.

    Here's the trailer.

    More detail and a longer trailer here.

    Last edited by Chris Knipp; 05-13-2017 at 11:11 PM.

  7. #7
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    Peter Bradshaw of the GUARDIAN UK is back at Cannes. He introduces this as Nicole Kidman's best of times.
    She’s been a blond vamp, an American princess and a thorn in Lars Von Trier’s side. But 2017 looks set to be Nicole Kidman’s greatest Cannes yet.
    The official social media hashtags for this year’s Cannes film festival are #Cannes2017 and #Cannes70. But maybe it should be #Nicolefest and #Nicolepalooza. Because Nicole Kidman is set to dominate, with no fewer than four entries in the official selection. In all her sculpted blond tallness, looming over most of the grinning menfolk on the red carpet, she is going to be a Cannes fixture.

    Photograph: Eric Gaillard/Reuters [From the GUARDIAN]

    Also: Netflix has gotten some flack at Cannes from French cinema distributors for two of their entries not having theatrical releases at all.
    Peter Bradshaw explains. Netflix and Amazon's non-cooperation is because of a French regulation requiring a 3-year delay from theatrical to other-format release.

    Last edited by Chris Knipp; 05-15-2017 at 08:34 AM.

  8. #8
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    Wed., May 17, 2017: Cannes Festival begins.

  9. #9
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    May 17. Cannes 2017 day one.


    COTILLARD AND GAINSBOURG IN ISMAËL'S GHOSTS

    The big opening film is Arnaud Desplechin's Ismaël's Ghosts ( French trailer ) starring Matthieu Amalric, Charlotte Gainsbourg, and Marion Cotillard, with Louis Garrel appearing as the main charactrer in the director (Amalric's) film-within-a-film. A full description with summaries of major reviews will be found in the Criterion Collection special coverage. The Criterion's online publication, the Current, is the new home of the Daily, David Hudson's acclaimed news and review round-ups.

    Sounds a little as if Desplechin disappears up his own you-know-what - but without ever ceasing to be entertaining, and true to his themes and obsessions.
    At the Playlist, Jessica Kiang suggests that “Desplechin is a prolific but uneven filmmaker: his last Cannes title, My Golden Days, was a delight; his previous feature, Jimmy P.: Psychotherapy of a Plains Indian, was a meandering indulgence. Ismael’s Ghosts is a curiously, in-the-moment watchable amalgam of all his best and worst tendencies: a film of so many different personalities it feels like several different films inexplicably spliced together.”
    The Criterion summary notes there are two versions, one 20 mins. longer, and Magnolia hasn't decided which it'll distribute for anglophone audiences.

    Another trailer.

    Last edited by Chris Knipp; 05-18-2017 at 06:36 PM.

  10. #10
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    Day 2.


    Uma Thurman heads the Un Certain Regard jury and she's got long legs.

    Andrei Zvagintzev's Loveless.

    Here's the Criterion compendium of critiques for this film. Sounds like one long miserable, but Peter Bradshaw liked it: "Andrei Zvyagintsev’s Loveless is a stark, mysterious and terrifying story of spiritual catastrophe: a drama with the ostensible form of a procedural crime thriller. It has a hypnotic intensity and unbearable ambiguity which is maintained until the very end. This is a story of modern Russia whose people are at the mercy of implacable forces." 5 out of 5 stars!
    Todd Haynes' Wondderstruck
    "Gooey and indulgent YA fantasy fails to inspire awe" - Peter Bradshaw, GUARDIAN. It's from a YA novel by the author of the book Scrosese turned into Hugo. A nice long clip from Wonderstruck here (the girl reminds me of Françoise Sagan). It's got exquisite stuff in it, this film.


    Emily Ratajkowski on the red carpet before Loveless.Photogs have to dressup.
    Photograph: Stephane Cardinale - Corbis/Corbis via Getty Images


    Last edited by Chris Knipp; 05-20-2017 at 07:45 AM.

  11. #11
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    Xavier Dolan
    Back to last year for a moment.

    I hated Xavier Dolan's Juste la fin du monde - maybe prematurely, but many hated it, despite the Grand Prize. But the big interview/discussion show in France "On n'est pas couché" ("We're Not Asleep") emceed by Laurent Ruquier presented Dolan in a most magnificent outdoor Cannes setting. Take a look. HERE. Gotta admit Xavier is handsome. Wish there were English subtitles!

    Dolan talks about his film on a Quégecois show in French Canadian twang - and with less flattering lighting HERE. This comparison shows you how glamorous Cannes is. The ultimate movie festival.

    Last edited by Chris Knipp; 05-20-2017 at 11:41 AM.

  12. #12
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    Mike D'Angelo is not at Cannes this year.

    This is the first time in five years I can't collate his succinct and meticulous Tweet ratings. It's a loss. To me anyway.

    Mike D'Angelo‏ @gemko May 16
    Bummed not to be at Cannes, but if I had to pick one year to miss, this might be the one. Not because of the lineup. Because of the news.

    6 replies 1 retweet 18 likes
    Reply 6 Retweet 1
    Like 18
    Last edited by Chris Knipp; 05-20-2017 at 07:49 AM.

  13. #13
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    OKJA (Bong Joon-ho)
    His sequel to Snowpiercer, is a 'creature feature' with human interest and sweetness, according to reports, which are positive despite the releaser Netflix being booed at the screening. And it's got Tilda Swinton again. Peter Bradshaw of GUARDIAN (5 out of 5 stars) thinks it's a shame its great CGI won't be shown on big screens.



    Visages, Villages
    Agnès Varda and French performance artist JR made a movie together Visages, villages of them "en goguette" (going around, messing around?). Jordon Hoffman of GUARDIAN (review) gave it a 5 out of 5.



    THE SQUARE (Ruben Östlund)
    He became known through his Force Majeure (which won the Un Certain Regard 2014 Jury Prize), a movie about a sudden lapse of moral courage. Gleiberman of VARIETY (review)thinks this isn't as "majeure" as Force Majeure, but it sounds damned ingenious to me. It focuses on a weak, oblivious Stockholm museum director. There is a focus on a fading sense of shared responsibility and lots of sociological and cultural commentary.

    Last edited by Chris Knipp; 05-20-2017 at 11:55 AM.

  14. #14
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884


    120 battiments par minute/120 beats a minute
    A Competition film by Robin Campillo of 2014's R-V Eastern Boys), this is a feature recreating ACT-UP fighting AIDS in France in the Eighties. Bradshaw of GUARDIAN awards another 5 out of 5 and says it "compellingly combines elegy, tragedy, urgency and a defiant euphoria." I didn't even remember Campillo scripted Laurent Cantet's 2008 Cannes Golden Palm winner The Class. Bradshaw relates this, as one does, with David France’sHow To Survive A Plague, (ND/NF 2012 reviewed here), an important and galvanizing NYC/US/AIDS/ACT UP documentary. And Guy Lodge of Variety (review) points out it's an "unabashedly untidy film" that "stands as a hot-blooded counter to the more polite strain of political engagement present in such prestige AIDS dramas as Philadelphia and Dallas Buyers Club." I'd welcome something better than them. A.A. Dowd of AV Club says many consider this already a Cannes winner; his own fave so far is The Square, though.

    Last edited by Chris Knipp; 05-20-2017 at 11:55 AM.

  15. #15
    Join Date
    Jul 2002
    Location
    SF Bay Area
    Posts
    15,884
    Three more Competition films as commented on by Peter Debruge of Variety

    Happy End

    Happy End
    A competition film by Michael Haneke. Cast: Jean-Louis Tringignant, Isabelle Huppert, Matthieu Kassovitz, Laura Verlinden, Franz Rogowski, Fantine Hardouin, plus Toby Jones, representing members of the well-off bourgeois Laurent family. Partly this is a sequel to elements of his previous Amour, but without the warmth. Peter Debruge of Variety: "Haneke’s new film . . . amounts to a complex, minutely detailed mystery in which every member of the Laurent household contributes to the movie’s almost suffocating sense of malaise." Nothing new for the director, Bradshaw says, but as good as ever, 5 out of 5.

    The Meyorowitz Stories
    A Competition film by Noah Baumbach is a first week film not mentioned here yet. Debruge: "Adam Sandler and Ben Stiller play half-brothers working out family issues in the best Netflix Original film to date." There is a conflict over considering any Netflix (not-theatrical-release) film. Almodóvar, the jury president, opposes; Will Smith thinks it's just fine.

    The Killing of a Sacred Deer
    A Yorgos Lanthimos Competition film with Nicole Kidman and Colin Farrell. Debruge: " the film presents itself as a darkly comic horror-thriller, but takes us to a place far more insidious than we could’ve bargained for. This is an art film, after all, and though Lanthimos is within his rights to challenge and provoke, his seemingly cold-hearted approach to an impossible conundrum makes for an undeniably tough sit." Peter Bradshaw says "this is a movie which has a clearer, straighter sense of shape and purpose – and seems to me to be therefore more successful – than his widely admired previous picture, The Lobster, which ran out of ideas well before the end."

    Last edited by Chris Knipp; 05-28-2017 at 07:04 PM.

Page 1 of 4 123 ... LastLast

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •