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San Francisco Jewish Film Festival 2021 FORUM THREAD
San Francisco Jewish Film Festival 2021 (July 22 - Aug. 1)
FESTIVAL THREAD
Festival-goers can experience SFJFF several ways this year. Those who are comfortable viewing from home can do so in the JFI Digital Screening Room, and those who are excited to gather in community will be able to enjoy in-person, live screenings at the historic Castro Theatre in San Francisco on July 24 and 25.
Opening Night (In-person)
PERSIAN LESSONS (Vadim Perelman 2020)
1942. Gilles, a young Belgian man, is arrested by the SS alongside other Jews and sent to a concentration camp in Germany. He narrowly avoids execution by swearing to the guards that he is not Jewish, but Persian. This lie temporarily saves him, but then Gilles is assigned a seemingly untenable mission: to teach Persian to Koch, the officer in charge of the camp's kitchen, who dreams of opening a restaurant in Persia (Iran) once the war is over. Gilles finds himself having to invent a language he doesn't know, word by word. As the unusual relationship between the two men begins to incite jealousy and suspicion, Gilles becomes acutely aware that one false move could expose his swindle.
Directed by Vadim Perelman (HOUSE OF SAND AND FOG)
US Premiere
In-person screening only at the Castro Theatre, Saturday. July 24, 8:15 p.m.
Opening Night (Virtual)
MISHA AND THE WOLVES (Sam Hobkinson 2021)
A young orphan’s unusual tale of survival during the Holocaust captivated the world. In a desperate effort to be reunited with her beloved parents, 7 year old Misha Defonseca escapes her indifferent foster family and begins her trek alone armed only with a pocket knife through a bleak wintry war torn European landscape. Beset with hunger, on the verge of hypothermia, attacked by a German soldier, Misha’s unimaginable horror turns to hope as she is adopted by a different family – a pack of wolves who would become her protectors and a powerful symbol of Misha’s near mythical tale. After writing a best-selling memoir of her exploits, Hollywood came knocking, including the likes of Oprah and Disney. But when Misha’s publisher Jane Daniels, finds herself being sued for millions, Jane turns detective and begins to unpack the story to reveal a deeper and darker truth. This film made its World Premiere at Sundance. Sam Hobkinson is the director of FEAR CITY: NEW YORK VS THE MAFIA (2020) West Coast Premiere.
Also playing in-person at the Castro Theatre, Sunday, July 25, 6:45 p.m.
Closing Night (Virtual)
PLAN A (Doron and Yoav Paz 2021)
1945. A group of Jewish Holocaust survivors planned to poison the water system in Germany, killing millions of Germans in an ultimate act of revenge. The bold and deadly operation was called - PLAN A. Based on a true story, the film provides a new perspective on the Holocaust and addresses our most primal feelings: revenge, justice, and morality. Starring August Diehl (INGLOURIOUS BASTERDS; A HIDDEN LIFE), Sylvia Hoeks (BLADE RUNNER 2049), and Michael Aloni (SHTISEL). Doron and Yoav Paz made PHOBIDILIA; THE GOLEM.
Freedom of Expression Award
Agnieszka Holland with her new film CHARLATAN
Legendary Polish filmmaker and recipient of SFJFF's 2021 Freedom of Expression Award, Polish director Agnieszka Holland was born in Warsaw on November 28, 1948. She studied film directing at FAMU in Prague. Her film career began by working in Poland with Krzysztof Zanussi as assistant director and with Andrzej Wajda as her mentor. She wrote several scripts with Wajda before directing her own films, which were soon winning awards at major festivals - [Cannes (1980), Berlin (1981), Golden Globe Award (1991)] - and gaining notoriety as part of the Polish New Wave. Holland is best known in the United States for her Oscar-Nominated ANGRY HARVEST, EUROPA, EUROPA, and the Warner Bros. films: OLIVIER, OLIVIER and THE SECRET GARDEN. More recently she turned to television and has directed episodes of HBO's THE WIRE, TREME, and the Netflix political drama, HOUSE OF CARDS. JFI is proud to present this award to this distinguished and brilliant filmmaker.
Agnieszka Holland's newest film, CHARLATAN, is a richly drawn biopic of Czech healer Jan Mikolášek who rose to fame through his uncanny ability to diagnose disease with a mere glance at the patient's urine. Treating all who entered his clinic, from the poor to the Nazis, is he an unorthodox healer ahead of his time or a mere charlatan?
The Freedom of Expression Award, presented annually at the San Francisco Jewish Film Festival since 2005, honors the unfettered imagination, which is the cornerstone of a just, free and open society. Past recipients include Norman Lear, Kirk Douglas, Liz Garbus and Lee Grant. West Coast Premiere. Laura Thielen (former Artistic Director of the Aspen Film Festival and San Francisco International Film Festival) will moderate the online Q & A with Agnieszka Holland.
Centerpiece Narrative
200 METERS (Ameen Nayfeh 2020)
On a technicality, a desperate Palestinian father is denied entry at an Israeli checkpoint to see his injured son. It's just 200 meters across the border wall, but to Mustafa it might as well be a world away. Taking matters into his own hands he makes the dangerous decision to smuggle himself across, an expensive and dangerous undertaking. Joined on his journey by a naive young man seeking work, a Palestinian man on his way to a cousin's wedding and his German filmmaker girlfriend, they must make the perilous journey alone when abandoned by the smugglers who are supposed to guide them. This taut and restrained narrative film is directed by Ameen Nayfeh (born in Palestine, 1988), who spent his formative years moving between Jordan and Palestine. Bay Area Premiere.
Preceded by the short film WHITE EYE.
In-person screening at the Castro Theatre, Saturday, July 24, 11:00 a.m.
Centerpiece Documentary
THE CONDUCTOR (Bernadette Wegenstein 2021)
Internationally renowned conductor Marin Alsop smashed the glass ceiling when she became the first woman to serve as music director of the Baltimore Symphony Orchestra, the São Paulo Symphony Orchestra, and the Vienna Radio Symphony Orchestra. THE CONDUCTOR takes the audience backstage to the artistry and energy that rewards her audiences and inspires her students. With unprecedented access, the filmmakers accompany Marin Alsop to concerts around the world, filming across three continents: from Mozart’s Magic Flute in São Paulo, to Mahler’s 1st Symphony in Lucerne, to Bernstein’s Mass in Baltimore, and her opening concert in Vienna. West Coast Premiere
Preceded by the short film, THE VIOLIN UPSTAIRS, by local director Asali Echols.
Take Action Spotlight
NOT GOING QUIETLY (Nicholas Bruchman 2021)
A rising star in progressive politics and new father, 32-year old Ady Barkan’s life is upended when he is diagnosed with ALS. After a chance encounter with a powerful senator on an airplane catapults him to national fame, Ady and a motley crew of activists ignite a once-in-a-generation movement for universal healthcare, in a journey that transforms his belief in what is possible for the country and for his family. NOT GOING QUIETLY won the 2021 SXSW Audience Award for Documentary Feature and Special Jury Recognition for Humanity in Social Action. Nicholas Bruchman previously directed LA AMERICANA.
2021
SFJFF’s annual Take Action programming features impactful documentaries exemplifying the Jewish values embodied in tikkun olam, which inspire us to repair the world with our actions. Screening presented by JFI’s Social Change Teen Fellows, who will lead the Q&A with the filmmaker.
Song and Dance
A KADDISH FOR BERNIE MADOFF (Alicia Jo Rabins 2021)
An artistic excommunication set on Wall Street in 2008. A Kaddish For Bernie Madoff is a mystical meta-musical about the greatest financial fraud in history, as seen through the eyes of musician/poet Alicia Jo Rabins. A hybrid of memoir and narrative fantasy, this is the story of Madoff and the system that allowed him to function for decades. Fueled by Rabin's growing obsession, real-life interviews transform into music videos, ancient spiritual texts become fevered fantasies of synchronized swimming, and a vivid, vulnerable work of art is born from the unique perspective of an artist watching the global financial collapse up close. This critically acclaimed musical story is brought from stage to screen, and from past to present — maintaining the original narrative while also drawing a thread between the massively destabilizing global financial crash of 2008, and our current era of profound ethical and moral uncertainty. California Premiere
In-person screening at the Castro Theatre with filmmaker Q&A, Saturday, July 24, 5:00 p.m.
Next Wave Spotlight
WET DOG (Damir Lukacevic 2021)
When 15-year-old Soheil moves to Wedding, one of Berlin’s multicultural, mostly Muslim, neighborhoods, he hides his Iranian-Jewish origins to fit in. When his gang of friends decides to rob the local “Jew-lery” as they call it, run by his parents, he realizes that the stakes are much higher, and he begins fighting for his own truth, hoping that love, friendship and acceptance will reward him. Based on a provocative autobiography, WET DOG raises questions of cultural diversity, religious identity, and how they intersect with friendship, especially during the phase of rawness and exploration that are one’s teenage years.
Preceded by the short film, KIPPAH.
Local Spotlight
PROGNOSIS: NOTES ON LIVING (Debra Chasnoff & Kate Stilley Steiner 2021)
When maverick Oscar-winning Bay Area documentary filmmaker Debra Chasnoff is diagnosed with stage-4 breast cancer, she faces injustice as always, with her camera. A raw, surprisingly funny portrait emerges of how her calling—to repair the world—shifts as she navigates between terminal illness and the shifting identities of her chosen LGBTQI+ family. Underpinned by their decision to not hear the prognosis, Debra and her wife Nancy reveal their most vulnerable moments, even as they face the physical and emotional rollercoaster of treatment and the overwhelming bureaucracy of being a cancer patient. Through it all, they lovingly work toward their common goal—Debra’s survival. With Debra at the helm, their on-camera honesty and candor offer a level of emotional access that is difficult to achieve when mediated by a film crew. They bravely put themselves on display, hoping that their experience might help others.
In-person screening and Q&A with the Bay Area-based filmmaking team at the Castro Theatre, Sunday, July 25, 12:00 p.m.
TV Spotlight
LABYRINTH OF PEACE Mike Schaerer (2020)
A compelling portrait of an industrial family dynasty, inspired by true yet little-known events in post-WWII “neutral” Switzerland. This is a six-episode television series, presented in two halves. The year is 1945. War is over. While Klara tries to mend the wounds of war by caring for displaced Holocaust survivors, her fiancé Johann works for her industrialist father and hopes to save his father-in-law’s well-established but faltering textile company. Just home from military service, Johann’s brother Egon takes his first steps in the Attorney General’s office. His mission: to hunt down escaped Nazis. All three of them soon realize the façade of peace is bought with the blood and victims of the war. Johann’s professional ambitions bring him closer to those who committed unspeakable war crimes. Klara risks her marriage while growing ever closer to Herschel, one of the survivors, who are all met with distrust by the locals. And Egon finds himself caught in a system that willingly turn a blind eye towards war criminals for the sake of profit while his sanity hangs in the balance.
Other Highlights
THE ADVENTURES OF SAUL BELLOW (Asaf Galay 2021)
For most of his adult life, Saul Bellow was the most acclaimed novelist in America and winner of, among other awards, the Nobel Prize in Literature, three National Book Awards, and the Pulitzer Prize. This is the first-ever documentary film about this legendary author, who was one of the most acclaimed chroniclers of post-war American Jewish life. Galay intelligently weaves a chronological study of Bellow’s oeuvre with an intimate portrait of the writer’s inner life and relationships. Marking the centennial of his birth and the tenth anniversary of his death, this film features original interviews with Bellow's family, close friends, and writers inspired by him, including Martin Amis and A. B. Yehoshua. Bellow's revolutionary impact on American literature is examined, as are his many identities as a writer, polemicist, 'serial husband,' father, Chicagoan, Jew, and American. Asaf Galay is the director of THE MUSES OF BASHEVIS SINGER.
THE BINDING OF ITZIK (Anika Benkov) (short)
In his online search for bookbinding materials, a middle aged Hasidic bookbinder stumbles across a Craigslist ad offering ‘binding lessons for submissive women.’ He responds to it, becoming entangled in an emotionally intense BDSM relationship with a stranger on the internet. Funded by the inaugural JFI Completion Grants Program.
BORN IN AUSCHWITZ (Eszter Cseke and Andras Takacs 2020)
This is the untold story of the only Jewish baby who was born in the death camp before the liberation and survived. An extraordinary journey of the second and third generation breaking the cycle of trauma to free themselves from Auschwitz forever. In May 1944, when Vera arrives in Auschwitz, she is two months pregnant and immediately selected by Dr. Mengele for medical experiments. With the help of a bunkmate, Vera eventually gives birth to baby Angela in secret. When Angela eventually begins a family of her own, she is determined to raise her daughter, Kati, as a survivor. As mother and daughter attempt to reconcile the past, they travel to places they never wanted to return to, meet people they never imagined connecting with, as we bear witness to the Holocaust’s long shadow on three generations. Preceded by the short film, ALINA.
THE LIGHT AHEAD (Edgar G. Ulmer 1939)
A forgotten classic by B-movie maverick Edgar G. Ulmer (THE BLACK CAT, DETOUR), this 1939 film is one of the finest examples of pre-WWII American Yiddish cinema. Shot in Ulmer’s trademark expressionistic visual style and featuring a large ensemble cast from New York’s Artef and Yiddish Art Theatres, the film is a document of a lost era and transcends its humble “poverty row” origins. The film follows Fishke and Hodel, a young disabled couple, as they strive to escape the oppressive disease and poverty of their shtetl. At once a touching comedic drama and poignant social critique, Ulmer’s film is markedly distinct from the standard Hollywood offerings of the era, and is a prescient allegory for the looming peril facing European Jews on the eve of the Second World War. Restored in new 4K digital restoration from original 35mm materials by the National Center for Jewish Film. Descendents of Ulmer live in the Bay Area. West Coast Premiere
In-person screening at the Castro Theatre, Sunday, July 25, 3:30 p.m.
MY FATHER AND ME (Nick Broomfield 2019)
Acclaimed documentary filmmaker Nick Broomfield takes a distinctly personal look at his relationship with his humanist-pacifist father, Maurice Broomfield, a factory worker turned photographer of vivid images of postwar England. Maurice's sublime and meticulously crafted photos would inspire Nick’s own filmmaking career, but also speak to a difference in outlook between father and son, whose less romantic, more left-wing political identity stemmed from his Jewish mother Sonya's side. Both memoir and tribute, MY FATHER AND ME is an intimate story of one family that also takes an expansive, philosophical look at the twentieth century itself. ( Broomfield is known for KURT AND COURTNEY; BIGGIE AND TUPAC; AILEEN: LIFE AND DEATH OF A SERIAL KILLER.)
MY NAME IS PAULI MURRAY (Julie Cohen, Betsy West 2021)
Fifteen years before Rosa Parks refused to surrender her bus seat, a full decade before the U.S. Supreme Court overturned separate-but-equal legislation, Pauli Murray was already knee-deep fighting for social justice. A pioneering attorney, activist, priest and dedicated memoirist, Murray shaped landmark litigation—and consciousness—around race and gender equity. As an African American youth raised in the segregated South—who was also wrestling with broader notions of gender identity—Pauli understood, intrinsically, what it was to exist beyond previously accepted categories and cultural norms. Both Pauli’s personal path and tireless advocacy foreshadowed some of the most politically consequential issues of our time. Told largely in Pauli’s own words, MY NAME IS PAULI MURRAY is a candid recounting of that unique and extraordinary journey.
In-person screening only at the Castro Theatre, Saturday, July 24, 2:00 p.m.
THOSE WHO HEARD & THOSE WHO SAW (Nate Lavey 2021)
An experimental essay film about a network of internment camps that were built in eastern Canada in 1940, with British funding, to imprison 2,000 Jewish refugees who had fled Europe during the lead up to the Second World War. The small city of Sherbrooke, Québec housed one of the largest internment camps, and today is the home to newly-arrived Syrian refugees like Muhammed Al Jabir and his family. They live quiet lives in the shadow of personal trauma. With eloquence and poise, he describes being severely wounded by Syrian troops, the death of his brother, and his family’s escape. He reflects on the loss of his home and the challenges of starting anew in a strange place. As the film tarries between past and present, the question is not “are these experiences the same”, but rather: “how does one illuminate the other?” World Premiere - Funded by the inaugural JFI Completion Grants Program
TIGER WITHIN (Rafal Zielinski 2020)
Starring Emmy-Award winning actor, Ed Asner in a once-in-a-lifetime performance, this is the story of the unlikely friendship between Samuel, an elderly, lonely Holocaust survivor, and Casey, an angry 14-year-old runaway. Tired of her neglectful mother choosing her boyfriend's comfort over her welfare, Casey roams the streets of Los Angeles with only the clothes on her back. It's her distinctive leather jacket bearing the mark of a swastika, that captures the attention of thoughtful senior Samuel. Having been taught by her mother that the Holocaust was a fiction, she is surprised to learn that Samuel experienced this history firsthand and that his children were murdered in the camps. Following through on a promise made to his deceased wife to erase the lingering hate in his heart, Samuel makes it his mission to befriend the misguided teen. For if he can forgive her, he can master his anger, and if she can forgive herself, she can be free. West Coast Premiere- Preceded by the short film, BECHORA.
WHO’S AFRAID OF ALICE MILLER? (Daniel Howald 2020)
As a child, Martin is beaten by his father and rejected by his mother. It sounds like a case study lifted from the book “The Drama of the Gifted Child” by world-renowned Swiss psychoanalyst Alice Miller, except his situation is a unique one: his mother is the author herself. Following her death, Martin embarks on a journey across Europe and the United States to finally understand the contradiction between the famous childhood trauma researcher and his destructive mother. With the help of sympathetic historians, archivists, and psychoanalysts, Martin digs deeper into his mother’s traumatic past and discovers that his own emotional pain stems from the legacy of something that he himself never experienced: the greatest drama of the 20th century, the Shoah, the systematic annihilation of the Jewish people. A fascinating look at the way trauma is experienced, internalized, and the havoc it creates in the lives of subsequent generations.
FESTIVAL THEMES
COMING OF AGE
BECHORA (Short)
BROKEN BIRD (Short)
FEELING SEXUAL (Short)
THE INSPECTION (Short)
KIPPA (Short)
THE LESSON
TIGER WITHIN
WET DOG
ISRAELI & PALESTINIAN INTEREST
200 METERS
AFRICA
BLUE BOX
A COMMON GOAL
KINGS OF CAPITOL HILL (Mor Loushy 2020)
MISH MISH
PARADISE (Short)
LGBTQI+ STORIES
BINDING OF ITZIK (Short)
CHARLATAN
THE CONDUCTOR
COSMOPOLITAN (Short)
PROGNOSIS: NOTES ON LIVING
LITERATURE
THE ADVENTURES OF SAUL BELLOW
THE BINDING OF ITZIK (Short)
MEANING OF HITLER
MISHA AND THE WOLVES
WHO'S AFRAID OF ALICE MILLER?
MUSIC
THE CONDUCTOR
A KADDISH FOR BERNIE MADOFF
THE VIOLIN UPSTAIRS (Short)
WOMEN WRITERS, DIRECTORS, PRODUCERS
AMERICAN BIRTHRIGHT
BECHORA (Short)
THE BINDING OF ITZIK (Short)
BLUE BOX ( Michal Weits)
BORN IN AUSCHWITZ
BRING YOUR OWN BRIGADE
BROKEN BIRD (Short)
CHARLATAN
THE CONDUCTOR
COSMOPOLITAN (Short)
FEELING SEXUAL (Short)
I THINK IT'S ENOUGH, ISN'T IT?
THE INSPECTION (Short)
A KADDISH FOR BERNIE MADOFF
KINGS OF CAPITOL HILL
THE LESSON
LONG DISTANCE (Short)
MAREK EDELMAN...AND THERE WAS LOVE IN THE GHETTO
THE MEANING OF HITLER
MISH MISH
MY NAME IS PAULI MURRAY
PROGNOSIS: NOTES ON LIVING
SCAR OF THE EARTH (Short)
SNOWY (Short)
THE VIOLIN UPSTAIRS (Short)
Last edited by Chris Knipp; 07-21-2021 at 11:12 PM.
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Last edited by Chris Knipp; 07-24-2021 at 09:50 PM.
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CHARLATAN (Agnieszka Holland 2020)
The venerable Czech director has been busy in recent years; this is her third feature following SPOOR and MR. JONES. What she is doing with this highly embroidered portrait of a real-life natural herbal medecine healer who diagnosed patients by looking at flasks of their urine - with a gay subplot - is anybody's guess, but it's watchable and handsomely photographed.
Showing in the San Francisco Jewish Film Festival July 22-August 1, 2021 and available online.
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EIN NASSER HUND/WET DOG (Damir Lukacevic 2021)
A young Iranian Jew whose family moves to the tough section of Berlin known as Wedding, finding himself surrounded by Turkks, Kurds and Arabs, successfully hides that he's Jewish and becomes a gangbanger, till his gift for being noticed makes that no longer possible. Based on a bestselling autobiography. The film makes some too-sudden leaps but the young actors are engaging, especially the star, Doğuhan Kabadayı.
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AFRICA (Oren Gerner 2019)
Israeli independent filmmaker Oren Gerner, in his first feature length film, has enlisted his father to play a version of himself surrounded by his mother, grandkids, neighbors and villagers doing likewise. The focus is on Meir, the father's, difficulties adjusting to being in retirement after an active life. Everyone is vry cooperative. Gerner is perhaps a little too manipulative. But this seems like a very dangerous way to work.
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200 Meters ٢٠٠ متر (Ameen Nayfeh 2020)
Vividly dramatizes the daily ordeals the Israeli apartheid system puts Palestinians through. With the great Ali Suliman.
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KINGS OF CAPITOL HILL/HALOBBY (Mor Loushy 2020)
Using a group of distinctly disaffected former members and others, this documentary seeks to describe the history and present condition of AIPAC, the powerful pro-Israel lobby in Washington and how it has become increasingly large, rich, partisan, and right-wing, and how organized opposition (J Street, et al.) has grown up of late. Loushy has made other docs. I reviewed her CENSORED VOICES, a remix of clips from right after the 1967 war.
Last edited by Chris Knipp; 07-22-2021 at 06:36 PM.
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BLUE BOX (Michal Weits 2021)
Her great grandfather was a founding father of the State of Israel who came in 1908 and worked acquiring land. She explores his monumental 5,000-page journal and unearths the dark side of her ancestor and the country's founding and continued existence. Interviews with relatives, voiceover of the journal recounting Israeli history, and fluent use of archival footage - familiar documentary ingredients - form a remarkable film that as a Haaretz piece put it, "Looks the nakba* deep in the eye." (*The "tragedy" of Palestinian dispossession.)
Last edited by Chris Knipp; 07-24-2021 at 11:01 AM.
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NOT GOING QUIETLY (Nicholas Bruckman 2021)
A documentary about American political activist Adi Barkan. In 2018 at age 32 with a wife who teaches at UCSB and a toddler son, he is diagnosed with ALS, and he goes on working, becoming more visible and effective as he co-founds the Be a Hero PAC and campaigns for universal health care. Awesome, inspiring, sometimes hard to watch.
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Last edited by Chris Knipp; 07-24-2021 at 10:28 PM.
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KIDA KHODR RAMADAN, DOĞUBAN KABADAYI IN WET DOG/EIN NASSER HUND
The 2021 San Francisco Jewish Film Festival: Concluding Comment.
NOT GOING QUIETLY concluded my coverage of the July 22-Aug. 1, 2021 San Francisco Jewish Film festival.
I have written about ten films, all I think good selections and worthy of your consideration.
Some are about inspiring or interesting people: the important if already somewhat forgotten or discounted American Jewish writer Saul Bellow in THE ADVENTURES OF SAUL BELLOW... the prominent orchestra leader Marin Alsop (a pioneer for women in the field) in THE CONDUCTOR...well known British documentarian Nick Broomfield and his notable photographer father and a lost period of English life in MY FATHER AND ME... the courageous political activist with ALS Ady Barkan (NOT GOING QUIETLY)... the 20th-century Eastern European folk healer brought to life in a rather strange way in Agnieszka Holland's feature CHARLATAN.
Some of these films bring Israel-Palestine issues into clearer focus: 200 METERS vividly dramatizes one aspect of the suffering caused by the occupation... KINGS OF CAPITOL HILL provides a film history of AIPAC, the increasingly right-leaning Jewish-Israel lobby in Washington... BLUE BOX is a courageous personal x-ray history of the State of Israel.
I was pleased and surprised by WET DOG. The genre isn't new, a Jew posing as not Jewish in a hostile environment; but the story and the actor, Doğuhan Kabadayı, are arresting and fresh. AFRICA will be of interest for those who like to see the line between documentary and fiction blurred. It's also a portrait of village Jewish Israeli life, a stark contrast with the struggling world of Palestinians in Israel in 200 METERS.
These ten selections are all worth watching for - or watching right now in the festival.
(For links to the Filmlleaf Festival Coverage reviews of all these films, go to the preceding post.)
Last edited by Chris Knipp; 07-25-2021 at 08:52 AM.
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Next Wave Spotlight
WET DOG
Streaming Now Through August 1st
GET TICKETS
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https://jfi.org/films-events/events-...enings/wet-dog
FILMLEAF review of WET DOG
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