MAY 21, CANNES DAY 5
STILL FROM WAR PONY
WAR PONY (Riley Keough, Gina Gammell).
Cannes, Un Certain Regard. The Variety review gives us a handle on this film about two Native American males at different stages (teens, early twenties), which Bradshaw's enthusiastic 4/5 stars summary doesn't quite, when it says this is the picture Larry Clark would have made if he'd spent time at the Pine Ridge Reservation: "hustling, skating and stealing drugs from otherwise distracted adults," "presented without judgment." The two first-time directors "developed this unvarnished portrait in collaboration with their actors" (as Larry Clark would have done).
THREE THOUSAND YEARS OF LONGING (George Miller)
Cannes. Out of Competition. Miller's first since MAD MAX: FURY ROAD (2015), GUARDIAN'S Xian Brooks gives it 3.5 stars, saying this "belated followup" to his previous film is "a loquacious Arabian Nights-style fantasy" and "a consciously unfashionable" one based on the short story "The Djinn in the Nightingale’s Eye" by A. S. Byatt concerning "a wary academic" and "a chatty genie" that "may leave you wanting for more." Mainly a two-hander between Tilda Swinton and Idris Elba. After the Cannes showing it got a six-minute ovation; but it's Metascore is 59%, brought low by David Rooney in Hollywood Reporter, who thinks it may be okay as a "palate cleanser" between FURY ROAD and the soon-to-come next MAD MAX movie, but the aa"mysteries it conjures" are "windy and academic," and lack emotional power. Bradshaw gave it 3/5 stars too. Release date: Aug. 31, 2022. TRAILER
Xian Brooks in the Guardian of May 21 a breezy and eloquent summary of this week's Cannes hits and roster of the ones (including the ELVIS biopic-musical, Kelly Reichardt's latest SHOWING UP, and an Iranian serial killer thriller HOLY SPIDER) coming up on the Cannes menu next week.
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