Filmleaf capsule review:
ONE FINE MORNING (Mia Hansen-Løve 2022)

From Directors' Fortnight at this year's Cannes but it could perfectly well have been in Competition, this eighth feature by the French director who began as an actress and life companion with Olivier Assayas packs the kind of emotional wallop and has the directness of her best work. Adultery, single-parent child-rearing, and a father with neurodegenerative disease are interwoven subjects. Also in the NYFF Main Slate.