I’m surprised you haven’t noticed by now that, unlike others, I try my best to not go over the same content if I make to make a post on a film that’s already been covered (besides Grizzly Man, my post on A History of Violence is also an example of that). So, I didn’t lose sight of the most important, and obvious, issue in the entire film.

As I said earlier, Herzog picked and chose what fitted snugly in his overall scheme of things. But he had to bring up Huguenard because, after all, she died with Treadwell. Don’t assume that he provided little info about their contentious relationship; it’s Herzog who’s in control here. Going further with this would not create a different doc -- I think it would create an even more meaningful one.

You might agree that I didn’t imply that Treadwell’s end on the audio tape was "essential and revelatory"; I simply explained an example of another way it could’ve been approached. But I strongly disagree that the dramatized scene between Herzog and Treadwell’s former girlfriend is "one of the film’s finest moments."

My review is a positive one, as my grade indicates. But I believe that Herzog's recent work has been overrated by many (I haven’t yet seen The White Diamond).