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Thread: CANNES2025 - remote notes

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    CANNES2025 - remote notes



    CANNES 2025 - first overview.
    SOURCE.
    The 78th edition runs May 13-24, 2025.




    Opening Film: PARTIR UN JOUR by Amélie BONNIN | 1st film – Out of Competition

    In Competition
    THE PHOENICIAN SCHEME by Wes ANDERSON
    EDDINGTON by Ari ASTER
    JEUNES MÈRES by Jean-Pierre et Luc DARDENNE
    ALPHA by Julia DUCOURNAU
    RENOIR by HAYAKAWA Chie
    THE HISTORY OF SOUND by Oliver HERMANUS
    LA PETITE DERNIÈRE by Hafsia HERZI
    SIRAT by Oliver LAXE
    NEW WAVE by Richard LINKLATER
    TWO PROSECUTORS by Sergei LOZNITSA
    FUORI by Mario MARTONE
    O AGENTE SECRETO (THE SECRET AGENT) by Kleber MENDONÇA FILHO
    DOSSIER 137 by Dominik MOLL
    UN SIMPLE ACCIDENT by Jafar PANAHI
    THE MASTERMIND by Kelly REICHARDT
    EAGLES OF THE REPUBLIC by Tarik SALEH
    SOUND OF FALLING by Mascha SCHILINSKI
    ROMERÍA by Carla SIMÓN
    SENTIMENTAL VALUE by Joachim TRIER

    Un Certain Regard
    LA MISTERIOSA MIRADA DEL FLAMENCO by Diego CÉSPEDES | 1st film
    (THE MYSTERIOUS GAZE OF THE FLAMINGO)
    MÉTÉORS by Hubert CHARUEL
    MY FATHER’S SHADOW by Akinola DAVIES JR | 1st film
    L’INCONNU DE LA GRANDE ARCHE by Stéphane DEMOUSTIER
    URCHIN by Harris DICKINSON | 1st film
    HOMEBOUND by Neeraj GHAYWAN
    TÔI YAMANAMINO HIKARI (A PALE VIEW OF HILLS) by ISHIKAWA Kei
    ELEANOR THE GREAT by Scarlett JOHANSSON | 1st film
    KARAVAN by Zuzana KIRCHNEROVA | 1st film
    PILLION by Harry LIGHTON | 1st film
    AISHA CAN’T FLY AWAY by Morad MOSTAFA | 1st film
    ONCE UPON A TIME IN GAZA by Arab et Tarzan NASSER
    THE PLAGUE by Charlie POLINGER | 1st film
    PROMISED SKY by Erige SEHIRI
    LE CITTÀ DI PIANURA by Francesco SOSSAI
    (THE LAST ONE FOR THE ROAD)
    TESTA O CROCE? (HEADS OR TAILS?) by Matteo ZOPPIS, Alessio RIGO DE RIGHI

    Out of Competition
    COLOURS OF TIME by Cédric KLAPISCH
    LA FEMME LA PLUS RICHE DU MONDE by Thierry KLIFA
    HIGHEST 2 LOWEST by Spike LEE
    MISSION: IMPOSSIBLE – THE FINAL RECKONING by Christopher MCQUARRIE
    VIE PRIVÉE by Rebecca ZLOTOWSKI

    Midnight Screenings
    DALLOWAY by Yann GOZLAN
    EXIT 8 by KAWAMURA Genki
    FENG LIN HUO SHAN by MAK Juno
    (SONS OF THE NEON NIGHT)

    Cannes Premiere
    AMRUM by Fatih AKIN
    SPLITSVILLE by Michael Angelo COVINO
    LA OLA (THE WAVE) de Sebastián LELIO
    CONNEMARA by Alex LUTZ
    ORWELL: 2+2=5 by Raoul PECK
    DAS VERSCHWINDEN DES JOSEF MENGELE (THE DISAPPEARANCE OF JOSEF MENGELE) by Kirill SEREBRENNIKOV

    Special Screenings
    BONO: STORIES OF SURRENDER by Andrew Dominik
    TELL HER THAT I LOVE HER by Romane BOHRINGER
    A MAGNIFICENT LIFE by Sylvain CHOMET

    Juliette Binoche will preside over the Competition Jury of the 78th Festival de Cannes. Robert De Niro will receive an Honorary Palme d’or. Tom Cruise will be back on the Croisette with MISSION IMPOSSIBLE - THE FINAL RECKONING, debuting out of competition. Spike Lee ditto (for HIGHEST 2 LOWEST) with the star, Denzel Washington. Wes Anderson, Richard Linklater, Julia Ducournau, Kelly Reichardt in Competition. Jodie Foster will be there, starring in Rebecca Zlotkowski's Out of Competition VIE PRIVÉE; Josh O'Connor, leading two films in comoetition with Kellly Reichardt's heist movie THE MASTERMIND and Oliver Hermanus' gay romance THE HISTORY OF SOUND alongside Paul Mescal.

    See the comment on this year at Cannes ("France’s Love Affair With Hollywood Continues, and Vice Versa, in U.S.-Heavy Cannes Lineup") from Peter Debruge in VARIETY. See comments on the Competition lineup from The Oscar Expert bros (brother bro says he will be there to the end). They single out Joachim Trier's SENTIMENTAL VALUE (they love Trier and the WORST PERSON actress Renate Reinsve stars) and Mascha Schilinski's much buzzed-about and pre-sold SOUND OF FALLING as the two top Competition contenders this year.
    Last edited by Chris Knipp; 04-28-2025 at 04:39 PM.

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    Sound of Falling

    There is special buzz about the new German-language film SOUND OF FALLING (German: In die Sonne schauen, lit. 'Staring at the sun'), the sophomore effort of director Mascha Schilenski, one of the more buzz-worthy items in Cannes Competition this year. Reportedly MK2's outlay was significant.

    Prmise. A remote German farm harbors generations of secrets. The film follows four women from different historical periods whose lives are subtly interconnected. Each spends part of her childhood or youth on the same four-sided farmstead in the Altmark region. As they move through their respective presents, traces of the past gradually emerge.

    “We were simply blown away when we saw Sound of Falling. Mascha Schilinski’s vision is so bold and visceral, this signals the arrival of an exceptional new voice in cinema,” said Fionnuala Jamison of MK2 films.
    The filmmaker made her debut in 2017 with DARK BLUE GIRL.



    Some of MK2 Films's most famous titles include ANATOMY OF A FALL, THE WORST PERSON IN THE WORLD, PORTRAIT OF A LADY ON FIRE, and COLD WAR. Other notable films include Variety's ATLANTICS and HOUSE ARREST. I remember how dominant the label is from moviegoing in Paris.
    Last edited by Chris Knipp; 04-29-2025 at 09:59 PM.

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    FROM SAEED ROUSTAEE'S WOMAN AND CHILD

    Cannes 2025 roster additions

    Lynne Ramsay’s long-awaited new film, DIE, MY LOVE, the adaptation of Ariana Harwicz’s novel, has been announced as a late addition to this year’s Cannes Competition lineup as has Saeed Roustaee’s WOMAN AND CHILD. Ramsay’s first for eight years, DIE, MY LOVE stars Jennifer Lawrence and Robert Pattinson. An adaptation of a 2017 novel by Ariana Harwicz, DIE, MY LOVE is a dark comedy thriller that concerns a new mother in the French countryside who develops postpartum depression and enters psychosis, a woman "battling her demons: embracing exclusion yet wanting to belong, craving freedom while feeling trapped, yearning for family life yet wanting to burn the entire house down," goes a summary.

    Saeed Roustaee’s WOMAN AND CHILD, the Letterboxd summary goes, is a "contemporary family drama of revenge and forgiveness" that "stars Parinaz Izadyar (LAW OF TEHRAN) as a widowed nurse struggling with her rebellious son. Tensions reach a peak during the betrothal ceremony with her new boyfriend, but when a tragic accident occurs, she finds herself confronting feelings of betrayal as she seeks justice." Roustaee (or Roustayi: سعید روستایی) received the FIPRESCI Prize at Cannes in 2022 for LEILA'S BROTHERS, presented in Competition.

    Another high-profile Cannes 2025 addition, in the Un Certain Regard section, is Kristen Stewart’s directorial debut, which stars Imogen Poots, a passion project adaptation of Lidia Yuknavitch's memoir THE CHRONOLGY OF WATER. Also in Un Certain Regard are two other A-list actors' directorial debuts, ELEANOR THE GREAT from Scarlett Johannsson starring June Squibb and concerning a 90-year-old Floridian woman who strikes up an unlikely friendship with a 19-year-old student in New York City; and Harris Dickenson's URCHIN,featuring Frank Dillane (son of Stephen) as a homeless person struggling to survive in contemporary London.

    Ethan Coen’s HONEY DON'T! has been added to the Midnight Screenings. It is the second in his "lesbian B-movie trilogy" after last year’s DRIVE-AWAY DOLLS. For this Margaret Qualley returns alongside Aubrey Plaza and Chris Evans.

    Also added: Cannes Directors' Fortnight: YES by Nadav Lapid.
    Cannes Frontières Platform: SKIN SIDE UP by Robert Ten Eyck.
    Last edited by Chris Knipp; 04-28-2025 at 04:21 PM.

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    JENNIFER LAWRENCE, ROBERT PATTINSON IN DIE, MY LOVE

    Cannes additions - fuller list

    In Competition
    DIE, MY LOVE by Lynn RAMSEY
    WOMAN AND CHILD by Saeed ROUSTAEE


    Un Certain Regard
    LOVE ME TENDER by Anna CAZENAVE CAMBET
    UN POETA by Simón MESA SOTO
    O RISO E A FACA (I ONLY REST IN THE STORM) by Pedro PINHO
    THE CHRONOLOGY OF WATER by Kristen STEWART | 1st film


    Cannes Premiere
    LOVE ON TRIAL by Kōji FUKADA
    ÁSTIN SEM EFTIR ER (THE LOVE THAT REMAINS) by Hlynur PÁLMASON
    MAGALHÃES by Lav DIAZ


    Midnight Screenings
    LE ROI SOLEIL by Vincent Maël CARDONA
    HONEY DON’T by Ethan COEN


    Special Screenings
    AMÉLIE ET LA MÉTAPHYSIQUE DES TUBES by Maïlys VALLADE & Liane-Cho HAN | 1st film
    MAMA by Or SINAI | 1st film
    ARCO by Ugo BIENVENU | 1st film
    QUI BRILLE AU COMBAT (THE WONDERERS) by Joséphine JAPY | 1st film[/SIZE]


    And as part of a tribute to Pierre Richard
    L’HOMME QUI A VU L’OURS QUI A VU L’HOMME by Pierre RICHARD


    Cannes Directors' Fortnight
    YES by Nadav Lapid

    Cannes Frontières Platform
    SKIN SIDE UP by Robert Ten Eyck

    SOURCE
    Last edited by Chris Knipp; 04-29-2025 at 10:00 PM.

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    Cannes 2025 Directors Fortnight

    Short and Medium Length Films
    +10K by Gala Hernández López
    BEFORE THE SEA FORGETS by Ngọc Duy Lê
    THE BODY by Louris van de Geer
    BREAD WILL WALK (Le pain se lève) by Alex Boya
    CŒUR BLEU (Blue Heart) by Samuel Suffren
    KARMASH (کرمش) by Aleem Bukhari
    LOYNES by Dorian Jespers
    LA MORT DU POISSON (Death of the Fish) by Eva Lusbaronian
    NERVOUS ENERGY by Eve Liu
    WHEN THE GEESE FLEW by Arthur Gay


    Feature Films
    ENZO by Laurent Cantet, directed by Robin Campillo - opening film
    AMOUR APOCALYPSE (Peak Everything) by Anne Émond
    BRAND NEW LANDSCAPE (見はらし世代) by Yuiga Danzuka - first feature film
    CLASSE MOYENNE (The Party's Over!) de Antony Cordier
    DANGEROUS ANIMALS by Sean Byrne
    LA DANSE DES RENARDS (Wild Foxes) by Valéry Carnoy - first feature film
    L'ENGLOUTIE (The Girl in the Snow) by Louise Hémon - first feature film
    LES FILLES DÉSIR (The Girls We Want) by Prïncia Car - first feature film
    GIRL ON EDGE (Hua yang shao nv sha ren shi jian) by Jinghao Zhou – first feature film
    INDOMPTABLES by Thomas Ngijol
    KOKUHO by Lee Sang-il
    LUCKY LU by Lloyd Lee Choi - first feature film
    MILITANTROPOS by Yelizaveta Smith, Alina Gorlova & Simon Mozgovyi
    MIROIRS No. 3 by Christian Petzold
    LA MORT N’EXISTE PAS (Death Does Not Exist) by Félix Dufour-Laperrière
    THE PRESIDENT’S CAKE (Mamlaket al-Qasab) by Hasan Hadi - first feature film
    QUE MA VOLONTÉ SOIT FAITE (Her Will Be Done) by Julia Kowalski
    YES de Nadav Lapid
    SORRY, BABY by Eva Victor – first feature film - closing film
    . SOURCE

    Comments
    Opening and Closing Films:
    ."Enzo" opens the Fortnight, a film directed by Robin Campillo after his friend and co-writer, Laurent Cantet, passed away. "Sorry, Baby" closes the event, a drama produced by Barry Jenkins (Moonlight).
    Christian Petzold's "Miroirs No. 3": This film, starring Paula Beer, follows an aspiring pianist whose life is disrupted by a miraculous survival from a car crash.
    Nadav Lapid's "Yes!" ,which received the Special Jury Prize at the Locarno Film Festival, follows a jazz musician and his wife who struggle to make ends meet while performing for the elite.
    Other Notable Films: "Militantropos," a documentary about the impact of the Russian-Ukrainian war. Thomas Cailley, the first Prix Alpine winner, will receive his award during the closing ceremony.


    FROM CHRISTIAN PETZOLD'S MIRRORS NO. 3
    Last edited by Chris Knipp; 04-29-2025 at 12:20 AM.

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